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GULAG BOSS: A SOVIET MEMOIR
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DAVID PRIESTLAND
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Published: 7 October 2011
F yodor Vasilevich Mochulsky GULAG BOSS A Soviet memoir Edited and translated by Deborah Kaple 229pp. Oxford University Press.

£16.99 (US $29.95).

978 0 19 974266 0 In the early 1990s, the American historian Deborah Kaple interviewed a number of former Soviet political advisers in China for a research project on international communism.

She was shocked when one of them, Fyodor Mochulsky, revealed that he had run a number of labour camps in his youth. How could this “apparently pleasant and affable man” have been part of Stalin’s system of state repression? This question goes to the heart of the Soviet experience of Stalinism: many participated in the repressions, and by the time of Stalin’s death, hundreds of thousands were guarding a prison population of more than 5 million. Students of the Gulag have sought answers in the numerous accounts by victims and in recently opened archives. But Gulag Boss, written in the late 1990s and translated by Kaple, is one of very few memoirs written by a camp administrator, and gives us a fascinating insight into the mind of a once-loyal Stalinist.

Mochulsky was trained as a young engineer, and in 1940 was sent to supervise the building of a railway by prison labour about a thousand miles north-east of Leningrad. The Gulag played a key role in the Stalinist economy. Each camp was expected to fulfil an ambitious daily plan using poorly fed prisoners who worked in appalling conditions. As Mochulsky shows, prisoners were only given full rations if they achieved their quota, and administrators who failed to meet Moscow’s demands could expect harsh punishment.

Mochulsky’s family told Kaple that his conscience was troubled by his time in the Gulag, and his memoir is designed to show that he behaved as humanely as possible within an extraordinarily cruel and chaotically inefficient system. He remembers how horrified he was when he arrived at his first camp and discovered that there was no housing for the prisoners: they were sleeping in the open, just as the Arctic winter was beginning. He realized that they would not survive long, but setting the prisoners to work building barracks would prevent them from fulfilling the daily plan targets on the railway, rigorously enforced by the Gulag bureaucracy. Mochulsky decided to take a risk: two weeks’ work was devoted to the barracks, fake figures were reported to the centre, and the prisoners agreed to labour especially hard to fulfil the monthly plan in the second fortnight. The idea worked, but Mochulsky was later denounced for breaking the rules, and only narrowly avoided becoming a prisoner himself.

We might, therefore, expect Mochulsky to be critical of the camps, and indeed in a final, analytical chapter, he denounces them as “monstrous inventions”. However, a great deal of Gulag Boss is more concerned to show how he devoted his considerable intelligence and resourcefulness to making the system work. Though written after the collapse of the USSR, it reads like the account of a committed young Soviet of the 1940s - ambitious and confident, eager to please his superiors, and keen to demonstrate how the system could be run better. He does not express remorse for his role, while real empathy for the suffering of his charges is in short supply. Of course, Mochulsky was press-ganged into service in the camps, and he had little choice but to ensure that prisoners fulfilled plans. But ultimately, this is the memoir of a confident beneficiary of the system, not of the oppressed victim its author claims to have been.

What, then, motivated Mochulsky? He was no Marxist-Leninist ideologue or class warrior, committed to transforming society. This type was no longer in the ascendant in the Communist Party, and indeed Mochulsky was contemptuous of party dogmatists. But nor was he an example of Hannah Arendt’s “banality of evil” - a narrow bureaucrat seeking to perfect the system, oblivious of the bigger moral picture.

Rather, his memoir displays a very clear and confident morality, at the root of which lies Soviet patriotism and the valorization of hard work, discipline and a rather practical, technical expertise. Mochulsky generally sees the prisoners as a “labour force”, there to fulfil the plan, and he boasts of his role in improving their “labour discipline”. His sympathies lie with those who were either patriotic or hard-working: the volunteers for the Finnish war who were captured by the enemy and then imprisoned by the Soviets on suspicion of collaboration; and the rich peasants (kulaks) who were “in reality, the hardestworking people we had in our countryside”. He has much less time for the intellectuals and the “aristocratic” Poles, whom he regarded as lazy and effete.

Such attitudes were common within Mochulsky’s generation - those born in the revolutionary period, who benefited from the massive expansion in technical education in the 1930s and went on to run the new planned economy. However, there was a distinct tension between their mixture of “Calvinist”, technocratic and disciplinarian values, and the idealistic socialism the regime claimed to champion. And it was this culture that the Soviet “sixties” generation and its most influential member, Mikhail Gorbachev, were to challenge. As this revealing and readable book shows, Fyodor Mochulsky and his like could not understand the criticisms of Gorbachev and others, even after they had been defeated. Their world-view had built the Soviet empire; they could not see that it contributed to the backlash that ultimately led to its downfall.

JUST FOR FUN


NPR CHOSE DEBORAH'S STORY
Deborah's fiction submission called Allechka was selected along with five others from a pile of 5,000 entrants.

NOVEL IN MANUSCRIPT


BLISS BEND, A NOVEL

Ever drive through one of those large amorphous Midwestern states and get stuck poking along through endless small towns as you try to get someplace else? You see their single stoplight, their dinky restaurant and the lone Dairy Whip on the edge of town, and wonder “who in the heck lives here anyway?” Noleen Raynor and her friend Berta Lembrecht work at Charlie’s Lunch in Bliss Bend, Ohio. They constantly wonder at how they both came to be daughters of men whom everybody loves to hate, and just hope that they don’t turn into one of the “potatoes” in town. They are the hard-luck Bliss Benders. Then there’s the Kolkemeyers, lucky, rich and on top of the town.

Welcome to life in Bliss Bend.


SHORT STORIES

"Flint," THE LONDON MAGAZINE, October/November 2007
"I Repair Cars," THE MACGUFFIN, Summer 2004
"Ruthie's Diary," THE LONDON MAGAZINE, April 2003
"One Dog's Life," AMERICAN WRITING, March 2002
"Hairdo to Hell," US #1 Worksheets, July 28, 1999
"The Guilty One," First Place Winner, TCNJ Writers' Conference, 1998


FEATURES WRITING


TONI MORRISON'S ATELIER
Read about the fantastic program at Princeton University, founded by Noble Prize Winner and Princeton Professor Toni Morrison.

The Atelier was designed to encourage experimentation, a way to bring creative people from various genres, and entice them to come up with something totally new. This article features interviews with Professor Morrison, Bernice Johnson Reagon, founder of Sweet Honey in the Rock, Jacques D'Amboise, director of the National Dance Institute and a former principal dancer with the NYC Ballet, YoYo Ma, the cellist, Richard Danielpour, the conductor, and Peter Sellars, an avant-garde director of theater and opera.

"Toni Morrison's Atelier" first appeared in the Princeton Alumni Weekly, and can be found in the volume called The Best of PAW: 100 Years of the Princeton Alumni Weekly, edited by J.I. Merritt



GABRIEL GARCIA MARQUEZ INTERVIEW & MORE
Princeton Living, edited by David Major, was an eclectic monthly magazine of the Trenton Times. While it existed, Deborah Kaple wrote many pieces for this magazine. Most of them were features pieces.

For Princeton Living, she once interviewed Gabriel Garcia Marquez when he visited Princeton, she spoke with Jim McGreevey before he was the Governor of New Jersey, she discussed dealing with the homeless with Connie Mercer, the building of a new charter school in Trenton, the work of the League of Women Voters, a day in the life of the Princeton Nursery School. She was also pleased to interview Edith Zuckerman of Edith's Lingerie fame, and learn the details of a fantastic career beginning in Hungary. She also talked with a waitress who owned and lived with an African Gray who could whistle like a car alarm, not to mention the lovely woman who collected magnets (whose husband installed magnetic panels all over the house for this collection.




SCHOLARLY BOOKS & ARTICLES


DREAM OF A RED FACTORY
This concise book sheds startling new light on the origins of post-1949 labour relations in China, and indeed on the broader relationship of Maoism to Stalinism. Kaple, a Princeton-educated sociologist trained to conduct research in both Russian and Chinese, scoured written sources from both countries form 1946 to 1953 for evidence about the adaptation of Soviet methods to Chinese conditions. Her findings force us to revise thoroughly our understanding of the relationship between Soviet and Chinese models of factory organization. Kaple shows quite stunningly that what we have so often understood as a distinctive Chinese model in fact is almost a direct translation of "high Stalinist" Soviet ideals of the immediate post-war period that have so far escaped scholarly attention. -- The China Quarterly, by Andrew G. Walder, March 1995.

"SOVIET ADVISORS IN CHINA IN THE 1950s"

This book chapter was written after spending a year in Moscow reading files in the newly-opened Communist Party Archives. In frustration at how little could find out on the Soviet Advisors Program of the 1950s, Stalin's effort that sent thousands of Soviets to China, she placed an ad in a Moscow daily newspaper, asking to talk to people who had worked there. This is the resulting piece, which appeared in Odd Arne Westad's edited volume, Brothers in Arms: The Rise and Fall of the Sino-Soviet Alliance, 1945-1963 (Woodrow Wilson Center Press, 1998).





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Latest Review in TLS
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JUST FOR FUN
NPR CHOSE DEBORAH'S STORY
Three Minute Fiction Contest
IN MANUSCRIPT
BLISS BEND, A NOVEL
A novel about life in one small town in Ohio
FICTION
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A creative venture
GABRIEL GARCIA MARQUEZ INTERVIEW & MORE
More quirky than you'd think
SCHOLARLY BOOKS & ARTICLES
DREAM OF A RED FACTORY
A look at China's socialist industrialization program in the 1950s

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